VIKA
Artist's picture

I'm influenced by things I've seen while traveling,
by historical objects and archaeology.

I don't like machine perfection or
perfect symmetry. 

I think industrial concepts of perfection have warped
our idea of what it means to be human:                        

"Perfection is flawless;
Organization is a sign of sanity."

I want to leave fingerprints and tool marks on my work. I want to incorporate the error, not eliminate it.  I like to use the work of cultures that recycle and whose industries still leave a human trace, even on factory work. I like seeing the seams, the dimple, a lack of uniformity.

I like to recycle. I save my mistakes; they are the mother of my success.

 

How it happens...

Unfired porcelain beadI've been involved in handwork since high school. I have four kilns and way too much clay and metalwork stuff...and that's the way it should be! I carve my own presses for my tile pendant designs. They usually start Torn white breadas napkin doodles. Hollow bead forms are constructed using traditional clay joining techniques. Sometimes, I stuff the beads with soft bread so they'll hold their form a bit better as I work. It is the only good use for white bread that I have ever found. And, it makes the kiln room smell like toast.

Sawing coils into rings, rollover close up For wire jewelry, I start with copper and sterling wire. Look for handmade earwires. You'll also notice I get to pound some wire flat. If you're a mom, a hammer and anvil block will do you good.

 


Available at

Janna's Needle Art, Fresno

Urban Fauna Studio, San Francisco

Jewelry box with supplies

Purchasing Online

Please visit this page for information.

Or, go directly to vika.etsy.com

Join the conversation on: FaceBook
Visit me on twitter: @lavika
Or, visit my blog: vikasart.blogspot.com


Victoria Cochran
victoria@victoriasgarden.us
http://www.lavika.com

 
 
 
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